By the right people that is. Which us why nobody gives a shit about it, especially all the former protestors against apartheid, and of them especially John Minto, aka, the Screaming Skull, who is more concerned with Palestine and Israel today.

But there is still a connection between Minto and South Africa and you can see it in the name of his organisation, the Palestine Solidarity Network Aotearoa.

The clue is in the last word, and the ideology driving the conversion of New Zealand into Aotearoa is exactly the same as the ideology driving the communists now in charge of South Africa. Actually that could be another reason for Minto’s lack of interest; contra his 1990’s anger at Mandela not going commie, Minto now largely has the government he always wanted for that nation.

What? You thought he cared about black people, or racism? Pfft! Communists are entirely transactional, siding with whatever or whoever will get the revolution going. Same with the Left’s infatuation with the Ayatollah’s in late 70’s Iran, even as the latter shot communists.

Rhodesia, Iran, South Africa, Israel,….. New Zealand. If Minto, TPM and the Waitangi Tribunal (plus our judges) get their way our future will be as portrayed below:

Here’s the kicker…

Trump for one, has finally had enough of this racist bullshit, following up an Executive Order he signed last month that froze assistance to the country in response to the Expropriation Act, with a decision now to simply cut all funding.

He views the law as a rights violation against a white minority, the Afrikaaners. The law enables the South African government to expropriate land from private parties if it deems it in the public interest. It also allows for expropriation without compensation, but only if negotiations for a reasonable settlement have failed.

Actually the white minority includes a lot of non-Afrikaaners and many of them were at the forefront of the effort against apartheid inside the nation. But as with all communist revolutions the revolutionaries get the bullet in the end just the same.

The South African government has defended the legislation, stating that it primarily targets unused land and does not permit arbitrary seizures. “The law is designed to correct historical injustices and ensure that land reform is conducted in an orderly and legally sound manner,” a spokesperson for the government said in January.

Historical injustices eh? Another echo of the present day in New Zealand.

The South African ambassador to the USA is also being given the boot, with none other than Secretary of State, Marco Rubio, calling him a “race-baiting politician”:

Secretary of State Marco Rubio declared South Africa’s ambassador to the United States,  Ebrahim Rasool, persona non grata and ordered him expelled from the United States. This immediately deprived him of diplomatic immunity and required him to leave the US in just a matter of days.

Given that it started from a far larger and wealthier base than Rhodesia I’d figure that South Africa has at least another decade to go before it becomes Zimbabwe.

In New Zealand’s case I reckon we’ve got twenty years, although I’m sure TPM can move that along faster when they’re in government, as they will be sooner or later.

Also see  Shakespeare’s birthplace to be ‘decolonised’ over concerns playwright promotes ‘white supremacy.’:

The museum curators will carry out further analysis on the “impact of colonialism” on world history and the ways in which “Shakespeare’s work has played a part in this”. Certain items in its archives might include “language or depictions that are racist, sexist, homophobic, or otherwise harmful”, the trust said.

The change comes as the playwright receives significant posthumous backlash against his works – many of which have had trigger warnings for racism, sexism and violence. Several years ago, findings of a research project between Shakespeare’s Birthplace Trust and the University of Birmingham’s Dr Helen Hopkins indicated that the writer’s works “benefits the ideology of white European supremacy”, The Telegraph reports. The research argues that European culture was forced to become the world standard for high art via “colonial inculcation” and that Shakespeare was deployed as a symbol of “British cultural superiority”.